We welcome applicants who wish to explore the possibilities of extending the
boundaries of the traditional disciplines in the humanities by focusing their research on the relations between words, still and moving images both historically and in contemporary culture.
Students also acquire various practical skills – ranging from analysis and problem solving to writing and presenting – which prepare them for diverse career pathways and enhance their employment opportunities.
Why study with us?
- An interdisciplinary programme that is run in collaboration with the Estonian Academy of Arts – the faculty is comprised of renowned experts in literature, art, film and visual culture.
- Ample opportunities for practical experience through collaborations with major international literary, art and film festivals in Tallinn – since 2018, our students have been participating in the composition of the programme of the Black Nights Film Festival (PÖFF). Read more here.
- Seminar-led courses, with an excellent student to lecturer ratio, foster an active debating and discussing environment.
- Individual approach – the supportive learning environment encourages students to follow personal research interests from an early stage of studies.
- International study groups – the diverse cultural backgrounds of our students contribute to the spirit of the comparative study of culture.
- A research-centred programme creates an ample possibility for further studies at the PhD level.
- Open to applicants from all disciplines in the humanities and social sciences.
- Students can apply for a study fee reduction based on their study results.
- During the two-year programme the MA student is expected to actively
participate in seminars, to engage in field-related practice and to write a Master’s thesis.
- During the second and third semester the student engages in practical work organised by the school in collaboration with international literary, art, and film festivals in Tallinn.
- At the beginning of the third semester, MA researchers are required to submit a research proposal and choose a supervisor.
- The fourth semester, concluding the studies, is reserved for writing the thesis in the framework of the master’s seminar guidelines. The research semester provides an ample opportunity for the student to focus on their area of interest. The thesis is publicly defended at the end of the last semester.
Core course components
- Key Concepts in Literary and Cultural Analysis
The seminar explores the main concepts and arguments of the 20th century literary theory and cultural analysis. Its aim is to provide a coherent context for researching literature, films and visual culture in their intermedial relationship.
- Key Concepts in Critical Theory and Visual Culture
This seminar course will focus on key thinkers in critical theory and the social analysis of the image, building a trajectory from G.W.F. Hegel’s philosophy of history to contemporary visual and cultural studies. Rather than concentrating on discrete ideas, the course will explore the connections and ongoing discussions between authors in the critical tradition.
- Seminars in Literature, Visual Culture and Film I, II, III
The interdisciplinary courses approach various literary texts, films and objects of visual culture from the perspective of a thematic focus. Depending on the year the topics include: Dystopia in Philosophy, Literature and Film; Affect and Emotion in Literature, Visual Culture and Film; Memory in Literature and Visual Culture; War in Literature and Film; Postcolonial Studies; Genre; Space in Literature and Visual Culture.
- Word and Image in the Middle Ages/Renaissance
This lecture and seminar course studies some key questions concerning the relationship of verbal and pictorial art from the late Middle Ages to the late Renaissance. Apart from the rivalry and emulation between poets and artists, the interaction of verbal and pictorial rhetoric will be discussed on the example of a number of well-known and less well-known authors and theorists (mainly) in the European tradition.
- Estonian Art in Context
This course will provide an overview of modern and contemporary art in Estonia, discussing its developments through historical precedents and social context. The classes include field trips and visits to art events and exhibitions, allowing participants to develop their understanding of the local art scene. Students are encouraged to participate actively in seminars, artist talks and presentations.
The purpose of the course is to acquaint the students with the basic concepts and methods of narratology, i.e. the study of narratives, and to practice their application to particular texts. Besides literary fiction, non-fictional and cinematographic narratives are discussed.
Through the analysis of various literary texts and their film adaptations the seminar deals with central critical and cultural debates about film adaptation. Film adaption will be studied from the different perspectives of historical and cultural context, authorship, genre etc.
- Word and Image
The course provides a thorough introduction to the various 20th and 21st century cultural phenomena that connect words and images, the verbal and the visual, and the relevant theoretical approaches.
- The university campus houses a study library. The main university library and The National Library of Estonia are situated within easy reach in the city centre. Various electronic databases are available through the libraries.
- Tallinn University is home for the archive of the renowned semiotician, Juri Lotman.
- There are many opportunities for the Erasmus exchange.
- Students will have the possibility to both participate in and organize various literary and cultural events held in Tallinn.
- Before applying to the MA programme, one can learn more about Tallinn University through taking part in Tallinn Summer School or Tallinn Winter School. Both are 3-week programmes running in July and in January, respectively, which combine a wide range of courses with a rich, diverse cultural programme and attract participants from all over the world.
- Our main partner for this study programme is Estonian Academy of Arts.
Eneken Laanes is the Associate Professor of Comparative Literature at Tallinn University and Senior Researcher at the Under and Tuglas Literature Centre of the Estonian Academy of Sciences. Her research deals with transnational memory and transcultural memorial forms in post-Soviet memory cultures of Eastern Europe. Laanes studied comparative literature at the University of Tartu, University of Bologna (Spring 2001), the Free University of Berlin (2003–2004), She has been a Juris Padegs Research Fellow at Yale University (2013–2014). She is the author of Unresolved Dialogues: Subjectivity and Memory in Post-Soviet Estonian Novel (in Estonian, Tallinn: UTKK, 2009) and co-editor of Novels, Histories, Novel Nations: Historical Fiction and Cultural Memory in Finland and Estonia (Helsinki: SKS, 2015).
Laanes’s research interests include trauma theory, the historical novel, critical theory and cultural analysis, contemporary literature; theories of subjectivity, autobiography and self-writing; world literature, transnational literature and multilingualism.
Follow her minilecture How do movies affect our memories
Professor at the Institute of Art History and Visual Culture of the Estonian Academy of Arts in Tallinn, senior researcher at Tallinn University School of Humanities. Her fields of research are history and theory of art and architecture in the Early Modern period, history and theory of art history writing, history of Estonian architecture and design of the Soviet period.
Prof Kodres is author of the books Beautiful House and Room (2001), History of Estonian Art, Vol. 2, 1520-1770 (2005, editor and main author); Presenting Oneself. The Early Modern Tallinn (Reval) citizen and his house (2014). She has contributed a chapter for the book Lutheran Churches in Early Modern Europe (ed. A. Spicer, Ashgate 2012) and for the book Art History and Visual Studies in Europe. Transnational Discourses and National Frameworks (eds. M. Rampley, T. Lenain, H. Locher, et al. Boston: Brill Academic Publishers, 2012). She is also editor-in-chief of the History of Estonian Art (6 volumes) and board member of the Estonian academic journal of art history and visual culture Studies on Art and Architecture.
Andres Kurg is a Senior Researcher at the Institute of Art History, Estonian Academy of Arts in Tallinn. His research explores the architecture and design of the Soviet Union in the late 1960s and 1970s in relation to technological transformations and changes in everyday life as well as its intersections with alternative art practices.
He studied art history at the Estonian Academy of Arts and architectural history at University College London. He has published articles in AA Files, ArtMargins, Journal of Architecture, Home Cultures and contributed to many collected volumes and exhibition catalogues. In 2008 he co-edited Environment, Projects, Concepts: Architects of the Tallinn School 1972-1985. He recently co-curated Our Metamorphic Futures. Design, Technical Aesthetics and Experimental Architecture in the Soviet Union 1960–1980 in Vilnius National Gallery of Art and Estonian Museum of Applied Art and Design (2011–12), a project funded by a grant from the EU Culture programme. In 2015 he was a Guest Scholar at the Getty Research Institute in Los Angeles; in Spring 2017 he was Visiting Senior Researcher in European Studies at the MacMillan Center, Yale University, New Haven.
Daniele Monticelli is the Professor of Italian Studies and Semiotics. He has studied and researched in Italy, Germany, Estonia, the US and teaches subjects in contemporary Italian history, society and politics, philosophy of language, comparative literature and research seminars.
His research is characterized by a wide and interdisciplinary range of interests which include the relations between translation and ideology particularly under totalitarian rule and censorship, semiotic theory and poststructuralism, the literary construction of affects, passions and cognition, contemporary critical theory with particular focus on the political thought of Agamben, Badiou and Rancière. He has authored literary and essayistic translations from Estonian into Italian and actively contributes to the cultural and political debate in the Estonian media and society.
Follow his minilecture Is Love an Endangered Emotion?
Ülar Ploom is a scholar in literary and translation studies.
His main research areas comprise late Medieval and Early Renaissance culture and literature (with an emphasis on the Italian Duecento and Trecento) and 20th century Italian literature, as well as the reception of Italian literature in Estonia. He has prefaced and commented the Estonian translations of Dante’s Inferno and Purgatory and is now completing (with I. Vene) the translation of Paradise. He has published short prose and three collections of poetry.
Piret Peiker is a postdoc researcher of the School of Humanities, Tallinn University. She recently defended her PhD thesis on the discourses of modernisation in the 19th-21st century Estonian literature at the University of Turku, Finland.
Her research interests include postcolonialism, modernity, nationalism and nationhood, globalisation, and Genre Studies.
Teet Teinemaa is a research fellow and a lecturer at Tallinn University. Teinemaa recently defended his PhD in Film Studies at the University of Warwick. His thesis explores the contemporary American multi-protagonist film (The Big Shot etc), particularly the film form’s focus on the notion of
contingency, via the thinking of Jacques Rancière and Slavoj Žižek. Teinemaa has also studied at Maastricht University, and holds MA in Film Studies and Literature from the University of York and an MA in Cultural Theory from Tallinn University.
- Completed Bachelor’s degree or the equivalent
- Proof of English Proficiency
Please see the complete overview of admission and application requirements for Master's level applicants.
- Statement of research interests (1-2 pages) [to be submitted to DreamApply]
Writing sample (an excerpt from either the BA thesis or a paper, 10 pages) [to be submitted to DreamApply]
If your BA studies did not end with a BA thesis, academic referenced essays written during your BA studies in total capacity of 10 pages are accepted. Your published scholarly articles may also be accepted as writing samples.
If your BA thesis (or equivalent writing sample) was not written in English, German, Russian, Italian or Finnish, please provide a translation into English with the original writing sample. You may do your own translation, no notarized translation required.
For the purposes of identity verification at the admission procedure the Admission Committee has the right to take a screenshot during the oral part of the admission exam carried out via video bridge.
Assessment of the candidates
- Statement of Research Interest: 30 points (min. required 21 points)
- Writing Sample and Previous Study Results: 30 points (min required 21 points)
- Interview: 40 points (min. requirement 28 points)
Important! Only applicants receiving the minimum required points for the first two components will be invited for the interview.
Find more information about the deadlines here.
Graduate career options
Graduates will be equipped to work in any area that requires excellent skills in critical thinking, visual analysis and writing. The prospective career options include research, education, cultural journalism, arts administration, cultural management, museum industry, publishing, cultural diplomacy.
Further study opportunities
The graduates will be prepared to continue their studies at the PhD level. We help our students to find relevant internship opportunities in order for them to explore their interests and preferences already while studying.
Literature, Visual Culture and Film Studies MA (2019), Lecturer, Junior Research Fellow, Filmmaker, and PhD student.
My experience with the Literature, Visual Culture and Film Studies MA was very positive; I was introduced to a whole new world of cultural theory and philosophy; gained skills in close reading, academic research, and critical analysis; and also improved my abilities as a writer and presenter. I would recommend this MA for anyone interested in deepening their understanding of cinema, literature, and culture. Whether you are a budding theorist or practitioner, this programme will deepen your understanding and make you think differently.
Literature, Visual Culture and Film Studies MA (2019), Translator, Marketer, Customer Support, Salesperson.
I have once written an essay about the devils and demons for a course regarding the Medieval arts in this programme. Why? - Because I got this idea in Kaunas while travelling. I didn’t know that I had been so creative and considered myself as just a person who does and likes (fine) arts before coming to Tallinn from the countryside of Japan. Literature, Visual Culture and Film Studies is an interdisciplinary programme, which provided me with a number of opportunities to broaden my potentials and belief that I can produce creative writing and visual arts.
Literature, Visual Culture and Film Studies MA (2019), Teacher of English, PhD student.
The Literature, Visual Culture and Film Studies MA programme expanded my knowledge beyond my primary field of research and helped me find a research topic for a PhD project in the field of intermedial studies. As an international programme, this MA gives students a great chance to make friends from all over the world. For me personally, it was perhaps the best part of the whole experience. I would recommend this programme for anyone who has diverse research interests and is looking for an opportunity to study in an international environment.
Monireh Sadat Razavi Ganji
Literature, Visual Culture and Film Studies MA (2020)
As an innovative joint programme between Tallinn University and the Estonian Academy of Arts, "Literature Visual Culture and Film Studies" enables its students to gain comparative knowledge, interdisciplinary skills, and intercultural experience with a distinctive approach. I feel so honoured to have joined this newly established programme as one of its pioneering students."
Juliana De Carvalho
Literature, Visual Culture and Film Studies MA (2020)
"The practical training experience at the Black Nights Film Festival gave me more knowledge than I could have ever expected. It also confirmed how the cinema of festivals and the cinema of diversity brings an enriching experience that goes beyond what we are used to seeing in the mainstream channels of film distribution. This experience was extremely motivating for my future as a professional and for me as a person who loves cinema and art."
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